Anne Hathaway’s latest ensemble looked straight out of the The Princess Diaries playbook, as she slipped into an ethereal, ruffle-trimmed gown. The actress attended the The Devil Wears Prada 2 premiere in Shanghai, China, on April 10 alongside her co-star, Meryl Streep.
Styled by Erin Walsh, the pastel pink gown was plucked from Susan Fang’s fall/winter 2026 collection. It featured an iridescent blue and white tinge with tiered layers of frills for a floral effect. The skirt flared out with a hemline that danced around the silhouette, while the dress featured a pair of thin straps.
Anne accessorized with clear Gianvito Rossi heels with a silver pointed toe and a pair of diamond-encrusted earrings. Her dark locks were left down and framed by her Andy Sachs-inspired bangs while her makeup oozed glamor, courtesy of a smoky eye and glossy lip.
Meanwhile, Meryl looked equally chic in a silky blue Saint Laurent dress that featured a tailored silhouette with structured shoulders and a black ribbon that cinched the waist. Styled by Micaela Erlanger, the look was teamed with oversized sunglasses, a diamond brooch, sheer stockings, and black pumps.
© VCG via Getty ImagesThe Devil Wears Prada 2
The sequel to the beloved 2006 hit, which also starred Emily Blunt and Stanley Tucci (both of whom will also be returning), began production last year. “I was still a 22-year-old mess of a human when I made The Devil Wears Prada,” Anne told Harper’s Bazaar. “And so, we’ve grown up together, and I’m so happy for them and how their lives are unfolding.”
She continued: “Like, this crazy thing where people just graduate from high school and they just send me their graduation announcements. People send me their wedding invitations. It’s so very sweet. And I feel bad, because I can never do anything with them, because I’m not Taylor Swift–level organized. Maybe someday.”
© WireImageAnne’s stylist has ensured her press tour wardrobe boasts the seams and stitches of some of the most covetable high-fashion labels – a fitting idea considering the nature of the film. “I’m aware of the eyeballs on it,” her stylist, Erin, told British Vogue. “But I feel like I’ve been training my whole life to do this. There’s always pressure: It’s what we do and what we love.”
She continued: “It’s been an exercise of joy – having the opportunity to tie in layers of Andy [Sachs] with Annie, and playing with all of the different designers.”
“If you look at all the major houses that have these new [designers] leading them, there’s this idea of leaning into joy, and clothes that make you feel like the supernova version of yourself. It’s going to be joyful, irreverent, empowering, confident – and strong.”
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